Recently I’ve made some purchases from Pristine Classical
(http://www.pristineclassical.com/).
This site specialises in historical recordings which have been restored and
enhanced through technology with breathtaking results. Purists may argue that
it is intervention in the actual recorded balance of tone and dynamics, but for
me the results I have heard allow me to engage in performances which I otherwise
would not.
I have listened to Bruno Walter’s Die Walkure Act 1 with Melchior
and Lehmann from 1935. The performance now has an amazing bass response which gives
it a depth akin to more modern recordings. The process used, renders an amazing
clarity of orchestral detail and the voices are vivid. The site also allows you
to hear extended samples and offers multiple download options.
Even more amazing is the
Furtwangler La Scala Ring Cycle from 1950. This has always been considered as
one of the greatest recorded performances, but the poor quality sound has
always prevented me from sampling more than a few moments. Listening to the
Pristine version is a revelation. What an experience!. I am playing it all the
time, in the car, over headphones while walking, on full blast over my lounge
room speaker system. If it weren’t for three big reservations, it would be my
favourite recorded cycle. These are: 1.
Max Lorenz as the Gotterdammerung Siegfried (recorded well past his prime). 2. Small(ish)
cuts in Die Walkure Act 2 and Siegfried Act 3 and 3. Kirsten Flagstad (phenomenal)
wimps out on a couple of high C’s in Gotterdammerung.
Despite these, I thoroughly
recommend this recording. Pristine also offer Furtwangler’s1953 Rome Ring. It
has a somewhat better cast and sound but the orchestral playing and overall
impact of the performance are not as great.
Other Pristine releases
I am listening to at the moment, with equal enthusiasm, are Furtwangler
Bruckner and Beethoven 9th Symphonies, both recorded during the war and
the (abridged) Rhapsody in Blue with Gershwin and the Paul Whiteman Band (the
site also offers an extensive range of Jazz recordings)
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